CHRA will be screening four short films by Egyptian filmmaker Ateyyat El Abnoudy on Tuesday, March 29th, 12pm EDT on Zoom (link). The event is free and open to the public. Four films will be shown on Zoom and followed by post-screening discussion with audiovisual archivist Yasmin Desouki (Chicago Film Archives, formerly Cimatheque - Alternative […]
CHRA will be screening three short films by Syrian filmmaker Omar Amiralay on Thursday, March 17th, 7:45pm EDT at Upstate Films, Rhinebeck NY. The event is free and open to the public. Reservations can be made through this link. The films will be followed by post-screening discussions: محاولة عن سد الفرات Film-Essay on the Euphrates Dam (1970), […]
The inaugural cohort of eleven MA students developed work-in-progress as a part of "Collaborations & Community," a course taught by the Center's director Dr. Tania El Khoury. The collaborative creative projects span various formats and artistic mediums, from dinner performance, live art, digital work, party, and posters. Wednesday 9 March Howls in the Mountains by […]
For decades, well-meaning journalists and cultural workers used a humanizing framework in their representation of oppressed people, in hopes of countering the traditional portrayal of the Palestinian as a "terrorist." Within this framework, a perfect victimhood emerged as an ethnocentric prerequisite for sympathy and solidarity, often over-emphasizing oppressed people’s nonviolence, humane professions, and disabilities. In […]
In Taking (A)part: Human Rights, Human Rites and “Human Writes,” Kendall Thomas revisits “Human Writes,” a 2005 performance-installation about the Universal Declaration of Human Rights on which he collaborated with the choreographer William Forsythe and The Forsythe Company. The cultural theorist Stuart Hall once argued that in the arts “things get said in ways in […]
How do we exist in complexity and contradiction? Can we mourn and celebrate all at once? In a world focused on binaries, where do we find power on the edges? In this talk, Bhenji speaks to the beauty of everything at once, of finding meaning between practices, bridging bodies and islands of knowledge together in […]
World premiere of a CHRA digital commission, featuring a Q&A with artist Alexandre Paulikevitch and writer Romy Lynn Attieh, moderated by curator Amanda Abi Khalil and co-presented by CEC ArtsLink. Tastes of Loss tells the story of a dancer's intimate relationship to food cooking and preservation. It is a visual essay on survival, womanhood, and […]
What is “gore capitalism” and how does it turn into “snuff politics” in the borderlands between Tijuana and San Diego? In answering those questions, Sayak Valencia discusses examples of audiovisual devices and virtual social networks that challenge the regime of truth through what she calls “the livestreaming regime.” Her talk considers how the contemporary body […]
How does a writer find her voice? And how does she locate herself among the power structures that operate in the world around her? Drawing on her own work, Githa Hariharan examines the writer’s struggle to enlarge the small space occupied by an individual life. She describes the project of giving voice to a mosaic […]
World premiere of a CHRA digital commission, featuring a Q&A with artist Brian Lobel and writer Season Butler, moderated by Jack Ferver (Bard College). Two friends and food makers share their recipes for healing, their personal histories and food journeys, and wider reflections on medicine versus the medicinal, knowledge versus expertise, the homegrown and the […]
Lawrence Abu Hamdan presents 'Natq', a live audiovisual essay on the politics and possibilities of reincarnation. Through listening closely to "xenoglossy" (the impossible speech of reincarnated subjects), this performance explores a collectivity of lives who use reincarnation to negotiate their condition at the threshold of the law—people for whom injustices and violence have escaped the […]
Fusco will discuss the recent efforts by "artivists" in Cuba to advocate for expanded expressive freedoms and civil rights. She will focus primarily on the activities of the 27N group and the San Isidro Movement.
World premiere of a CHRA digital commission, featuring a Q&A with artist Sethembile Msezane and writer Dr. Portia Malatjie, moderated by Panashe Chigumadzi and hosted by Wits School of Arts. Praise singing and movement is the celebration of presence. Dwala Lam’ is a praise song that reminds one of the groundedness that is inscribed in their ancestry. These inscriptions, may […]
World premiere of our third digital commission, featuring a Q&A with artist Emilio Rojas and writer Pamela Sneed hosted by Dr. Sanjay Kumar (Central European University). Hands to Hold is centered around 2 durational performances devised by Emilio Rojas. For a 6.5-hour performance, the artist drank a 1.5 gallons of sap from a 250 year […]
The OSUN Center for Human Rights & the Arts, the Human Rights Project, and Middle Eastern Studies at Bard College are pleased to co-present the following panel: Ms. Rana Hajjaj, Program Manager for Al-Quds Bard College of Arts and Sciences Professor Saida Hamad, Head of Media Studies Program, Al-Quds Bard College for Arts and Sciences […]
World premiere of our second digital commission, featuring a Q&A with artist Malik Nashad Sharpe (Marikiscrycrycry) and writer Hélène Selam Kleih hosted by Dr. Fintan Walsh (Birkbeck Centre for Contemporary Theatre). Mise-en-Crise is a film that considers choreography as both the site and the scenography of hope, performatively carved from crisis and rebellion. Playing with […]
An analysis of several musical and literary texts by Mashrou Leila, as sites for negotiating the discursive boundaries of gender construction in the public sphere, and an attempt to frame the work within ongoing conversations about the limits of representation as a mode of political engagement.
The photographers discussed share a forensic dialogue with photography’s past and offer navigational tools for its future possibilities in the making of new identities and histories. We need to keep open cultural portals in which to discuss the application of photography as a vehicle for self-determination, remaking histories, and visual forms of resistance. The aim […]
Just because we’re born with a vagina, why accept that our family, society, and state continue treating us as unequal ‘beings’? Why sexual violence, unequal rights, and inequities persist? Why do we need to rethink and re-imagine intersections of gender, caste, class and religion? I plan to reflect on insights from my journey of resisting […]
In this presentation, Charles Heller and Lorenzo Pezzani will discuss the nature of contemporary borders and the ever-shifting modalities of border violence. Drawing on their work within the Forensic Oceanography project since 2011, which has focused on the Mediterranean frontier, they will discuss the strategies they have used to document traces of violent events and […]
Emily hosts monthly ceremonial fires on Mannahatta in partnership with Abrons Arts Center and Karyn Recollet. She was a co-compiler of the document, Creating New Futures: Guidelines for Ethics and Equity in the Performing Arts and is part of an advisory group, with Reuben Roqueni, Lori Pourier, Ronee Penoi, and Vallejo Gantner - developing a […]
World premiere of the first in our annual digital commissions, featuring a Q&A with artist Leil Zahra Mortada and Nubian Geographic hosted by Dr. Hanan Toukan (Bard College Berlin). في بيتنا بابا Parting from a personal narrative, and using references from both popular culture and key political events, artist Leil Zahra Mortada uses the performative […]
In a time of lockdown and quarantines, of fascism and propaganda, we need reason and action to be supported by visions of change. Cassils discusses artistic and performative tactics uniquely suited for our time. Reflecting on ten years of practice where they carve out strategies for trans representation, they discuss tactics to educate, engage and […]
The ~cultural sector~ has been resistant to change, it has held on to antiquated balances of power like no other area of society, and that rigidity has affected the way we distribute resources amongst ourselves within the creative industry. We have got to radically restructure the way we do things. If we had the chance […]
This lecture will be (again) a dialogue with the ruins I inherited from my fathers, guided by the poet’s voice:
I would come to that country, my country, and I would say to it:
"Kiss me without fear… And if I do not know what to say, it is still for you that I speak. "
