World premiere of a CHRA digital commission, featuring a Q&A with artist Sethembile Msezane and writer Dr. Portia Malatjie, moderated by Panashe Chigumadzi and hosted by Wits School of Arts. Praise singing and movement is the celebration of presence. Dwala Lam’ is a praise song that reminds one of the groundedness that is inscribed in their ancestry. These inscriptions, may […]
World premiere of our third digital commission, featuring a Q&A with artist Emilio Rojas and writer Pamela Sneed hosted by Dr. Sanjay Kumar (Central European University). Hands to Hold is centered around 2 durational performances devised by Emilio Rojas. For a 6.5-hour performance, the artist drank a 1.5 gallons of sap from a 250 year […]
The OSUN Center for Human Rights & the Arts, the Human Rights Project, and Middle Eastern Studies at Bard College are pleased to co-present the following panel: Ms. Rana Hajjaj, Program Manager for Al-Quds Bard College of Arts and Sciences Professor Saida Hamad, Head of Media Studies Program, Al-Quds Bard College for Arts and Sciences […]
World premiere of our second digital commission, featuring a Q&A with artist Malik Nashad Sharpe (Marikiscrycrycry) and writer Hélène Selam Kleih hosted by Dr. Fintan Walsh (Birkbeck Centre for Contemporary Theatre). Mise-en-Crise is a film that considers choreography as both the site and the scenography of hope, performatively carved from crisis and rebellion. Playing with […]
An analysis of several musical and literary texts by Mashrou Leila, as sites for negotiating the discursive boundaries of gender construction in the public sphere, and an attempt to frame the work within ongoing conversations about the limits of representation as a mode of political engagement.
The photographers discussed share a forensic dialogue with photography’s past and offer navigational tools for its future possibilities in the making of new identities and histories. We need to keep open cultural portals in which to discuss the application of photography as a vehicle for self-determination, remaking histories, and visual forms of resistance. The aim […]
Just because we’re born with a vagina, why accept that our family, society, and state continue treating us as unequal ‘beings’? Why sexual violence, unequal rights, and inequities persist? Why do we need to rethink and re-imagine intersections of gender, caste, class and religion? I plan to reflect on insights from my journey of resisting […]
In this presentation, Charles Heller and Lorenzo Pezzani will discuss the nature of contemporary borders and the ever-shifting modalities of border violence. Drawing on their work within the Forensic Oceanography project since 2011, which has focused on the Mediterranean frontier, they will discuss the strategies they have used to document traces of violent events and […]
Emily hosts monthly ceremonial fires on Mannahatta in partnership with Abrons Arts Center and Karyn Recollet. She was a co-compiler of the document, Creating New Futures: Guidelines for Ethics and Equity in the Performing Arts and is part of an advisory group, with Reuben Roqueni, Lori Pourier, Ronee Penoi, and Vallejo Gantner - developing a […]
World premiere of the first in our annual digital commissions, featuring a Q&A with artist Leil Zahra Mortada and Nubian Geographic hosted by Dr. Hanan Toukan (Bard College Berlin). في بيتنا بابا Parting from a personal narrative, and using references from both popular culture and key political events, artist Leil Zahra Mortada uses the performative […]
In a time of lockdown and quarantines, of fascism and propaganda, we need reason and action to be supported by visions of change. Cassils discusses artistic and performative tactics uniquely suited for our time. Reflecting on ten years of practice where they carve out strategies for trans representation, they discuss tactics to educate, engage and […]
The ~cultural sector~ has been resistant to change, it has held on to antiquated balances of power like no other area of society, and that rigidity has affected the way we distribute resources amongst ourselves within the creative industry. We have got to radically restructure the way we do things. If we had the chance […]
This lecture will be (again) a dialogue with the ruins I inherited from my fathers, guided by the poet’s voice:
I would come to that country, my country, and I would say to it:
"Kiss me without fear… And if I do not know what to say, it is still for you that I speak. "
