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The photographers discussed share a forensic dialogue with photography’s past and offer navigational tools for its future possibilities in the making of new identities and histories. We need to keep open cultural portals in which to discuss the application of photography as a vehicle for self-determination, remaking histories, and visual forms of resistance. The aim […]
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An analysis of several musical and literary texts by Mashrou Leila, as sites for negotiating the discursive boundaries of gender construction in the public sphere, and an attempt to frame the work within ongoing conversations about the limits of representation as a mode of political engagement.
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World premiere of our second digital commission, featuring a Q&A with artist Malik Nashad Sharpe (Marikiscrycrycry) and writer Hélène Selam Kleih hosted by Dr. Fintan Walsh (Birkbeck Centre for Contemporary Theatre). Mise-en-Crise is a film that considers choreography as both the site and the scenography of hope, performatively carved from crisis and rebellion. Playing with […] |
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The OSUN Center for Human Rights & the Arts, the Human Rights Project, and Middle Eastern Studies at Bard College are pleased to co-present the following panel: Ms. Rana Hajjaj, Program Manager for Al-Quds Bard College of Arts and Sciences Professor Saida Hamad, Head of Media Studies Program, Al-Quds Bard College for Arts and Sciences […] |
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World premiere of our third digital commission, featuring a Q&A with artist Emilio Rojas and writer Pamela Sneed hosted by Dr. Sanjay Kumar (Central European University). Hands to Hold is centered around 2 durational performances devised by Emilio Rojas. For a 6.5-hour performance, the artist drank a 1.5 gallons of sap from a 250 year […] |
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